Peter Green
Following the departure of Eric Clapton,
Peter Green (b. 1946) joined John Mayall's Bluesbreakers in July 1966.
He is featured on the album A Hard Road (1967), recorded in October
1966, on which he displays an uncommon sensitivity and melodiousness.
He approaches Freddie King's "The Stumble" with his highly original
touch and sound, and idiosyncratic timing. His composition "The
Supernatural" looks forward to the arrangements he was later to develop
with his own group, Peter Green's Fleetwood Mac. After A Hard Road, one
of the highlights of his career is "Greeny," the instrumental on which
he displays astonishing tonal variety and delicate fragility as he
reaches for expressive phrases. Peter Green's Fleetwood Mac, formed in
1967, consisted of ex-Bluesbreakers Mick Fleetwood on drums and John
McVie (b. 1945) on bass, with Jeremy Spencer (b. 1948) on guitar. They
started recording in the autumn of 1967, working alongside American
blues artists. Adding a third guitarist, Danny Kirwan (b. 1950), in
1968, the group went on to develop their finest material around Green's
compositions and arrangements.
With the supportive interplay of
the other guitarists, Green's vocals and guitar solos are showcased on
"Black Magic Woman" (1968). Beginning with a shimmering three-note
chord played with vibrato, this composition features a tasteful and
emotional melodic solo using expressive string bending and arpeggio
motifs His understated melodic sensitivity can also bi heard on
traditional material such as Little Willie John's "Need Your Love So
Bad," in which short guitar phrases play a counterpart to Green's
heartfelt vocal.
Green often used reverb to position music;
elements and set moods. On the instrumental "Albatross" (1968), gently
strummed chords, high-register lines, and mellifluous slide are mixed
to produce a dreamlike instrumental with underlying mesmeric bass and
cymbals.
In one of Green's most personal songs, "Man Of The
World" (1969), the guitar parts are carefully layered and arranged. It
opens with folk-style fingerpicking on steel-string guitar chords with
nylon-string fills, and break into rhythm with electric guitar and
additional background elements.
Green finally left the group he
founded in 1971. His 1970 solo album, The End of the Road, has an
appropriate title for an outstanding artist who was unable fully to
concentrate on music again for some time.